Meeting with the Middletons

This afternoon I had a lovely meeting with Gren and Juliet, who own the Puppet Barge and are very kindly providing me with advice during the marionette carving process.  It was the first time I had shown them the puppet and it was fantastic to see it spring to life in their expert hands.  I came away with a lot of answers and suggestions to try regarding the design of the control and the way in which the marionette is hung on its strings, which I will implement before Emma, Asif and I meet for our next rehearsal over the weekend.

Blending

Good progress on Monkey Number Two, starting with the legs.  The first step after cutting out the shapes on the bandsaw is to blend the four surfaces into each other, rounding off the hard edges.  This is a nice job that doesn't require too much thought.  It is also a bonus to have the first monkey to refer to, since the second one is a slightly scaled up version but the same design.

Here you can see the progression from left to right of the thigh through the blending process.

Monkey attends first Baba Shakespeare rehearsal

This afternoon I took Monkey Number One along to rehearsal for the first time, and although the strings and control still need tweaking and the puppet needs to be decorated and the joints soldered, we were able to get a feel for how the monkeys will fit into Act One Scene Three and interact with the rest of the cast.  Emma and I were delighted to meet our Monkey Wallah, Asif, and to begin working with him and to hear his suggestions as to what the monkey performance might entail.  Just to explain, a monkey wallah is a man who earns his livelihood from busking with performing monkeys, and is a common sight in India.  In Baba Shakespeare the monkey wallah appears with his two monkeys when the Buckinghams' car has broken down by the side of the road, and he wants them to pay for a performance, which they eventually agree to, despite being hard up themselves.

Our Monkey Wallah, Asif, has first-hand experience of monkeys, having had one as a pet, so we're confident he won't mind having puppet monkeys jumping on him, and will also be able to give us useful feedback about whether the marionettes are moving and behaving like real monkeys.

Emma, Asif and I will rehearse separately from the rest of the scene in order to devise our five to ten minute monkey performance, which will then slot into the main rehearsals, but it was important today to get an idea of how it will all fit together.

Stringing the monkey

I want to get Monkey Number One on its strings today, to see how it works as a marionette and whether I need to make any alterations before I paint it.  It's an exciting moment when the puppet comes to life for the first time and you begin to find out how it moves and see its character emerging.
Here is Monkey Number One admiring herself in the mirror for the first time.  There is still work to be done (painting, adding ears, soldering the joints and so on) but it is encouraging to discover that all the work so far has been along the right lines and that the puppet does look and move like a monkey.  I'm going to take her to a Baba Shakespeare rehearsal tomorrow to meet the cast and to walk through Act One Scene Three for the first time with Emma, who will be operating her, and Asif, our newly found Monkey Wallah.